Sunday, May 26, 2013

Pussycats and memoirs

Today's post was supposed to be the latest installment of a memoir I'm working on (one of two memoirs). But, this week's trawling and sifting of writing tips yielded the following advice, in a nutshell: Careful posting your unpublished work on your blog, because it might have an adverse impact on your having the writing published elsewhere down the track.

In other words, potential publishers might not want your work, or substantial portions of it, already having been published. Fair enough. Makes sense. Although snippets, they say, are okay to put up on a blog. Well, I think I've already indulged in enough snippet-ry so far. So, no more snippets for now.

Fine. But what about the pussycats?

Well, in the absence of yet another enthralling sample of my story, I wanted to clumsily type a few words about Sally. She's my pussycat - isn't she pretty?

Sally

Sally is the first cat I've had since I was a boy at home with my family. For as long as my boyhood memory stretches, we always had a cat roaming around the place. Whenever a cat died, dad would bury it in the same spot in our garden - then we'd get another cat. The cats kept coming and the cat bones kept accumulating in that spot in the front garden. Nothing sinister here. Just years of loving our cats.

And I'm loving having a pussycat now. Although, in this photo Sally looks like she could be saying:

"Take a photo of me again without my express permission - and I will claw the shit out of you. Got it?"

Still. She's a joy! Sally goes by a number of  nicknames. S-Alley Cat, Sally Smooch and Sally Fras - and of course she answers to none of these... because she's a cat!

Monday, May 20, 2013

What are you doing to build your reputation as a writer?


One thing you can do is checkout this article reposted from Writer's Relief. Take advantage of these seven helpful tips – I am!


Seven Ways To Build Your Reputation As A Creative Writer

By Writer's Relief Staff

It’s easy to label yourself a writer. Jot down a poem and call yourself a scribe. But building a reputation for yourself as a writer is the evidence others need to label you a writer. Whether good or bad, writers’ reputations follow them wherever they go, either paving the way for success or putting up roadblocks in the path to getting published or developing a readership. It’s essential that creative writers take into consideration the way their peers, literary agents, editors, and readers view not only the quality of their writing, but their credentials and career path as well. It’s far easier to create a solid, professional reputation than to undo the damage of a spotty record and poor public persona.

Creative writers can brand themselves in any number of ways, and successful writers use more than one self-marketing method.

1. Take advantage of social-networking sites. Competition in the writing world is fierce, and when a creative writer wants to generate interest in a novel, it takes more than word of mouth. Attending writers’ conferences and writers’ groups have always been good ways to connect with others in the industry, and now writers can also take advantage of online social-networking sites such as Facebook, MySpace, and Twitter to create a buzz about their work by shaping connections nationwide—even worldwide—quickly and efficiently.

Facebook, for example, offers the opportunity to create both a personal profile and a “fan page”—a space where artists and writers can highlight their work. (Check out the Writer’s Relief Facebook page!) Writers can connect with readers by sharing news, writing samples, photos, and links. MySpace also allows users to create extensive profiles, while Twitter is a simplified version of the two (check out our tweets about writing and publishing). Social networking online helps writers engage others in their work and melds well with more traditional marketing efforts like book reviews, book signings, and tours.


2. Join an association. If you are published, investigate joining a professional writing association, such as the Mystery Writers of America or the Horror Writers Association. It’s another opportunity to network, and belonging to an association of like-minded writers offers other benefits to your craft such as industry news, useful links, and discussion groups.

3. Create a Web presence. It’s important that someone doing an online search of your name is able to find a profile page that showcases you and your work. Many authors have websites in addition to user pages on social-networking sites to maximize their exposure. A profile page should feature your name, photo, and a brief biography. You can post your writing credentials, excerpts from your novel, poems and/or short stories, and favorable reviews. If you are a published author, your profile should link to a site where your books can be purchased. Be sure to use links to your profile at every opportunity—in email and forum signatures, on Facebook, MySpace, or other social-networking sites, and on business cards and stationery.

Read more:



4. Blog. It seems that everyone has a blog these days, but it is especially useful for writers to take advantage of this marketing strategy. Your entries are firsthand examples of your writing—so make them good and edit well—and this can generate interest in your other work. Update frequently and be creative in your blog; include helpful links, insights, even humor to keep readers interested. If you are published, make sure it’s easy for a reader to purchase your work with a handy link to Amazon.com, for example, and include links to any site that features your writing or reviews of your writing.

Another useful feature of blogging is that it is interactive and personal—readers can leave comments or suggestions, and you can respond to them directly. You can keep them informed of any book signings or works in progress and answer any questions. It’s best to update your blog as often as possible to keep it fresh and interesting. Be sure to use keywords in each post (title and text) to optimize search engine results. The Internet is an amazing tool for writers looking for exposure, so be sure to use it to its full potential.

5. Explore different genres. Working outside your usual genre can expand your writing palette and even improve your writing. If you’re working on a full-length novel, for example, you might also consider pitching some article ideas (about something you’re proficient in) to magazines. Not only will you be boosting your publication credits and exhibiting flexibility in your talents, but the things you learn in one genre can nourish your skills in another.

6. Exude personal professionalism. Whether you’re submitting query letters or have already secured an agent, it’s crucial that you handle yourself professionally and put forth your best efforts. Wrinkled, stained, misspelled query letters give a bad impression to a potential agent. For those who have agents, return their phone calls promptly, follow their instructions or requests conscientiously, and deliver materials on time. Develop a professional reputation with agents and editors, and remember that you’ll be judged for every piece of writing—this means not firing off a quick e-mail riddled with errors and Internet lingo.

7. Finally, stay current. Keep up with publishing trends and market preferences by reading industry magazines, newsletters, and articles. Take courses and seminars whenever possible to brush up on your writing skills, and practice the actual craft of writing at every opportunity.

Want help building your reputation as a writer? Writer’s Relief can help you make more submissions! Our clients are widely published and regularly nominated for significant awards.

Learn more!  



Saturday, April 20, 2013

#21: Together Seven Years Apart


Memoir - Week 21

I phoned Erin like this for months before it dawned on my love-stricken mind that a confession to my supervisor would be prudent. I told my supervisor I’d been phoning Erin at the Australian Federal Police’s expense in the wee hours. He advised me to further self-report with the accounts section, while his narrowed eyes and subtle grin conveyed to me an understanding of the situation.

“I see”, was the surprisingly friendly reply. “Well, Accounts doesn’t have the ability right now to itemise international telephone calls. We wouldn’t be able to work out what you owe. So, perhaps you shouldn’t make any further calls to the US”, the accounts team member kindly finished suggesting to me. I had taken a liberty and emerged unscathed. 

Saturday, April 13, 2013

#20: Together Seven Years Apart


Memoir - Week 20

But, lurking within the nightshift shadows was another nice little fringe benefit. The time difference between Canberra and Virginia allowed me to chat with Erin at what was a good hour for her, while I was still in the office. There was some variance in hours depending on daylight savings either country, though I had a decent window of opportunity in which to phone Erin.

Our team was small and the floor, let alone the other floors of the Australian Federal Police headquarters, was otherwise people-less during nightshift hours, except for the two security guards on ground level behind a long pane of secure glass, probably discussing the cricket or the football or whichever sport was in season. Picking a moment between the hours of midnight and 4am, I would wander away in a nonchalant manner from my desk and sit down at another desk located on the opposite side of the floor, dimly lit and entirely private. There I’d dial up Erin and chat with her for a good half hour, often quite a bit a longer.

Sunday, April 07, 2013

#19: Together Seven Years Apart


Memoir - Week 19

The other exception was during 1992, when I’d rise to croaking green tree frogs and heaving humidity in Cairns at 4.30-5.00am, summer time. Leaving my one-bedroom apartment at Pease Street, Manoora I would drive almost an hour north to Palm Cove, fire up the big BBQ stationed outside on the lush tropical grounds of The Jewel of the Reef Resort and begin flipping fried eggs, turning bacon rashers and swivelling breakfast sausages into their dedicated hotplate positions. This hot food I served directly to eagerly awaiting Germans – as I more prominently recall for some reason – and other mostly chirpy Europeans and Japanese. You’re usually chirpy while on vacation.

Now, mornings and I have never enjoyed a free and easy relationship. Ever. We still have an ongoing stand-off. Needless to say, afternoon shifts in any job I’ve ever had have always circulated well within my night-owl blood. I’m just not good in the mornings.

Saturday, March 30, 2013

#18: Together Seven Years Apart


Memoir - Week 18

The 3pm to 11pm shift suited me. Before joining the Australian Federal Police I had been running around as a chef in hot and stressy kitchens – and did so for 11 years from 1985. With only two exceptions over this period, I would step into the kitchen at around 2-3pm and finish anywhere from 10-11.30pm, a little later was not unheard of either. The first exception was in 1991, when I churned out poached eggs, fried eggs, scrambled eggs, with or without toast, with or without Turkish bread, eggs with hollandaise sauce, eggs without hollandaise sauce, eggs with hollandaise sauce on the side (which side? I used to tease and confuse the waiters with), eggs Benedict and any number of other million menu items George’s Restaurant, Double Bay offered – while yelling out to (not ‘at’…settle down Gordon Ramsey and others, it’s counter-productive) Chinese Tom to churn out his pancakes, waffles and other items in a manner that was in sync with my dish churning. Let’s get it up at the same time, guys. 

Saturday, March 23, 2013

#17: Together Seven Years Apart


Memoir - Week 17

Then shift-work became a hindrance to my social life and begun having a detrimental effect on my health. Nothing major. Just that my body had slowly commenced turning itself completely inside out. I had been with the Australian Federal Police for two years now – give or take a couple of months. At the time, I was positioned within a 24/7 response area. Our schedule consisted of three basic shift types: 7am starts to a 3pm finish, a 3pm start and finish at 11pm, and an 11pm start winding down at 7am. In between each of these three different blocks we would enjoy very generous days off. But, the graveyard shift was what started burying me. It was the instigator of my body’s newfound disruption.  I lost weight, periodically took on a sickly, pale complexion and generally fell unwell at times. Not feeling well or feeling tired and working odd hours also meant I suffered socially. It often meant having to cut my time out short with friends and head for work. Other times I just felt completely out of it and wanted to drop on the spot and sleep.